генерационный промпт, частично: Club Dance, Cinematic Sci-Fi, Psi-Synthwave, Female anme vocalise with distorted radio effect, mimicking a Soviet test pilot on a cosmic dancefloor, split into main melody (yambic-anapestic rhythm, 10–12 syllables per verse, yambic-dactylic, 8–10 per chorus, no specific lyrics, using abstract vocal sounds like "aaa-ooo-eee") with 8th-note syllable timing in verses and quarter-note in choruses for clear melodic delivery, accentuated by +6 dB gain and +2 semitone pitch shift on stressed syllables for soaring intensity, dynamically panning from 30% left to 30% right in verses at 0.8 Hz, escalating to 40% left-right in choruses at 1.2 Hz, and ad-libs (lyrical, absurd vocal phrases, non-lexical, echoing cosmic wails and robotic hums) dynamically panning from 20% left to 40% right in verses at 1 Hz, escalating to 50% left-right in outro at 1.5 Hz, with 30% wet reverb (4-second tail), 35% feedback delay (300 ms), 15% compression, 10% pitch vibrato, 5% bitcrusher for radio crackle, and 3% white noise for cosmic static, evoking love, chaos, hope, and a Soviet supersonic disco legend. Darksynth arpeggios in C minor, split into high-pitched leads (8th-note pattern in verses, quarter-note melodic runs in choruses, C-G-Am-F progression, I-V-vi-IV) dynamically panning from 35% left to 35% right in verses at 1.2 Hz, escalating to 45% left-right in choruses at 1.7 Hz, and low drones (half-note sustains, 50–150 Hz, mimicking "turbine hum") dynamically panning from 40% right to 50% left in verses at 1.5 Hz, escalating to 60% left-right in outro at 2 Hz, with 20% wet reverb (3-second tail), 10% chorus, 7% flanger, and 3% pitch detune for retro sci-fi vibe. Techno bassline (quarter-note pulse, C minor, 40–80 Hz, with smooth melodic glides between C, G, A♭, F for emotional depth) dynamically panning from 20% left to 20% right in verses at 0.5 Hz, escalating to 30% left-right in choruses at 0.8 Hz, with 12% distortion, 8% sidechain to kick, and 8% sub-bass boost. Darksynth atmospheric pads (half-note sustains, C minor, with lush, hopeful chords, 200–400 Hz) dynamically panning from 45% left to 45% right in verses at 2 Hz, escalating to 60% left-right in outro at 2.5 Hz, with 20% wet reverb (4-second tail), 10% chorus, 5% phaser, and 2% tremolo. Synthwave lead synth (quarter-note melodic phrases, C minor, inspired by 80s sci-fi soundtracks, 1–2 kHz, with C-E♭-G-A♭ motif) dynamically panning from 25% right to 50% left in verses at 1 Hz, escalating to 60% left-right in choruses at 1.5 Hz, with 15% wet reverb (3-second tail), 8% chorus, and 3% flanger. Techno drums feature a 4/4 kick at 130 BPM with accents on beats 1 and 3 (+5 dB gain), dynamically panning from 15% left to 15% right in verses at 0.6 Hz, escalating to 25% left-right in choruses at 1 Hz, syncopated snare rolls (quarter-note hits in verses, half-note in choruses, with 8th-note ghost notes) dynamically panning from 30% left to 30% right in verses at 2 Hz, escalating to 40% left-right in choruses at 2.5 Hz, hi-hats (8th-note offbeats, open-closed patterns) dynamically panning from 50% right to 40% left in verses at 1 Hz, escalating to 60% left-right in choruses at 1.5 Hz, and crash cymbals (half-note hits, mimicking cosmic impact) dynamically panning from 20% left to 20% right in verses at 0.8 Hz, escalating to 30% left-right in choruses at 1.2 Hz, with 15% compression, 7% sidechain to bass and synths, 5% saturation, and 4% high-pass filter (300 Hz). Titanium screeches with doppler effect (quarter-note bursts, high-pitched, 4–8 kHz, evoking cosmic chaos) dynamically panning from 70% left to 70% right in verses at 1.2 Hz, escalating to 80% left-right in choruses at 1.8 Hz, with 25% wet reverb (1.5-second tail), 5% distortion, and 4% pitch modulation. Afterburner roar (sustained low rumble, 50–200 Hz, mimicking cosmic turbine) dynamically panning from 90% left to 90% right across verses and choruses at 0.7 Hz, escalating to 100% left-right in outro at 1 Hz, with 15% distortion, 8% low-pass filter (2.5 kHz), and 6% sub-bass boost. 8-bit chiptune radar beeps (8th-note pulses, evoking cosmic navigation) dynamically panning from 80% right to 60% right in verses at 1.2 Hz, escalating to 70% left-right in choruses at 1.8 Hz, with 10% bitcrusher, 5% pitch modulation, and 3% high-pass filter (4 kHz). Soviet synth textures (quarter-note sustains in C minor, with metallic buzz, evoking cosmic disco) dynamically panning from 30% left to 30% right in verses at 2.2 Hz, escalating to 40% left-right in outro at 2.8 Hz, with 12% chorus, 7% phaser, and 3% ring modulator. Radio static bursts (8th-note crackles, mimicking cosmic interference) dynamically panning from 60% left to 60% right in verses at 1.5 Hz, escalating to 70% left-right in choruses at 2 Hz, with 10% bitcrusher, 5% high-pass filter (4 kHz), and 3% white noise. Akvarium-like cosmic hums inspired by "Lost in the Sky" (half-note low drones, 50–100 Hz, evoking black hole pull) dynamically panning from 35% left to 35% right in verses at 1.2 Hz, escalating to 50% left-right in outro at 1.8 Hz, with 25% wet reverb (4.5-second tail), 7% flanger, and 4% low-pass filter (2 kHz). Mechanical robot clicks inspired by "Lost in the Sky" (8th-note ticks, metallic, evoking WALL-E/EVE hybrid) dynamically panning from 70% left to 60% right in verses at 1.5 Hz, escalating to 80% left-right in choruses at 2 Hz, with 10% bitcrusher, 4% high-pass filter (5 kHz), and 3% pitch detune. Cosmic distress wails (short vocal samples, non-lexical, mimicking ecstatic dancefloor chaos, quarter-note bursts, with Kalambur-like comedic panic) dynamically panning from 50% right to 40% left in verses at 1 Hz, escalating to 60% left-right in choruses at 1.5 Hz, with 15% distortion, 10% reverb (2.5-second tail), and 5% bitcrusher. Arrangement starts with sparse intro (main vocalise, synth arpeggios, chiptune beeps, radio static), builds through verses (techno bass, synths, light drums, afterburner roar, robot clicks), explodes in choruses (full instrumentation, lead synth, pads, radar beeps, cosmic hums, distress wails), with 0.8-second silence (cosmic void) before each chorus, and escalates in outro with quarter-note drums, soaring vocal ad-libs, robot clicks, and 30% volume swell on synths, pads, and cosmic hums. Bright EQ boost (2–4 kHz, +15 dB) enhances vocal and synth clarity, low-cut filter (100 Hz, -12 dB) on drums and screeches, high-shelf boost (8 kHz, +10 dB) on synths and radar beeps, mid-cut (500 Hz, -8 dB) on pads, and sub-bass boost (50 Hz, +10 dB) on afterburner roar, techno bass, and cosmic hums for depth. Dynamics shift with 40% volume increase in choruses, 30% in outro, and 20% gain on vocal ad-libs and distress wails in outro, delivering a melodic, club-driven Soviet supersonic techno-disco anthem with absurd, comedic undertones of a cosmic dancefloor panicking like a Kalambur calamity