brotheradmin

в любых словах нет нужды

не так-ли

тентакли?

Из пыли стеклянной восходит наш зов,

В огне мы сгораем, но живы без слов!

Где пепел ложится на раны земли,

Сквозь мрак мы идём, где мосты сожжены.

В тенях, где надежда разбилась в куски,

Мы ткём свою силу, из вечной тоски.

Из пепла и боли - рождаем мы свет,

Где тьма отступает, даруя ответ.

И в пыли стеклянной мы рвёмся к звезде,

Как Феникс, восставший в горящей беде!

Сквозь бурю и пламя летит наш мотив,

Свет и тьма бьются в нас вечно, за мир!

На грани, где пепел сливается с тьмой,

Мы строим свой путь, где нет правды простой.

В глазах наших искры, как звёзды в ночи,

Из хаоса битвы мы лепим лучи.

Сквозь трещины мира, где рушится всё,

Мы держим свой стяг, что в огне не сгниёт.

Из пы

ли стеклянной мы ткём новый свет,

Как Феникс, восставший, где смерти ответ!

Сквозь бурю и пепел летит наш порыв,

Свет и тьма бьются в нас вечно, за мир!

В нас пламя и тлен, и выбор суров,

Мы падаем в бездну, но ещё жив наш зарок.

Из пепла, из боли, из хрупких оков —

Рождается сила, что выше миров.

Из пыли, и звезд - восходит наш зов...

Сгорая в огне - уничтожим оковы.

END POV

генерационный промпт, частично: Club Dance, Cinematic Sci-Fi, Psi-Synthwave, Female anme vocalise with distorted radio effect, mimicking a Soviet test pilot on a cosmic dancefloor, split into main melody (yambic-anapestic rhythm, 10–12 syllables per verse, yambic-dactylic, 8–10 per chorus, no specific lyrics, using abstract vocal sounds like "aaa-ooo-eee") with 8th-note syllable timing in verses and quarter-note in choruses for clear melodic delivery, accentuated by +6 dB gain and +2 semitone pitch shift on stressed syllables for soaring intensity, dynamically panning from 30% left to 30% right in verses at 0.8 Hz, escalating to 40% left-right in choruses at 1.2 Hz, and ad-libs (lyrical, absurd vocal phrases, non-lexical, echoing cosmic wails and robotic hums) dynamically panning from 20% left to 40% right in verses at 1 Hz, escalating to 50% left-right in outro at 1.5 Hz, with 30% wet reverb (4-second tail), 35% feedback delay (300 ms), 15% compression, 10% pitch vibrato, 5% bitcrusher for radio crackle, and 3% white noise for cosmic static, evoking love, chaos, hope, and a Soviet supersonic disco legend. Darksynth arpeggios in C minor, split into high-pitched leads (8th-note pattern in verses, quarter-note melodic runs in choruses, C-G-Am-F progression, I-V-vi-IV) dynamically panning from 35% left to 35% right in verses at 1.2 Hz, escalating to 45% left-right in choruses at 1.7 Hz, and low drones (half-note sustains, 50–150 Hz, mimicking "turbine hum") dynamically panning from 40% right to 50% left in verses at 1.5 Hz, escalating to 60% left-right in outro at 2 Hz, with 20% wet reverb (3-second tail), 10% chorus, 7% flanger, and 3% pitch detune for retro sci-fi vibe. Techno bassline (quarter-note pulse, C minor, 40–80 Hz, with smooth melodic glides between C, G, A♭, F for emotional depth) dynamically panning from 20% left to 20% right in verses at 0.5 Hz, escalating to 30% left-right in choruses at 0.8 Hz, with 12% distortion, 8% sidechain to kick, and 8% sub-bass boost. Darksynth atmospheric pads (half-note sustains, C minor, with lush, hopeful chords, 200–400 Hz) dynamically panning from 45% left to 45% right in verses at 2 Hz, escalating to 60% left-right in outro at 2.5 Hz, with 20% wet reverb (4-second tail), 10% chorus, 5% phaser, and 2% tremolo. Synthwave lead synth (quarter-note melodic phrases, C minor, inspired by 80s sci-fi soundtracks, 1–2 kHz, with C-E♭-G-A♭ motif) dynamically panning from 25% right to 50% left in verses at 1 Hz, escalating to 60% left-right in choruses at 1.5 Hz, with 15% wet reverb (3-second tail), 8% chorus, and 3% flanger. Techno drums feature a 4/4 kick at 130 BPM with accents on beats 1 and 3 (+5 dB gain), dynamically panning from 15% left to 15% right in verses at 0.6 Hz, escalating to 25% left-right in choruses at 1 Hz, syncopated snare rolls (quarter-note hits in verses, half-note in choruses, with 8th-note ghost notes) dynamically panning from 30% left to 30% right in verses at 2 Hz, escalating to 40% left-right in choruses at 2.5 Hz, hi-hats (8th-note offbeats, open-closed patterns) dynamically panning from 50% right to 40% left in verses at 1 Hz, escalating to 60% left-right in choruses at 1.5 Hz, and crash cymbals (half-note hits, mimicking cosmic impact) dynamically panning from 20% left to 20% right in verses at 0.8 Hz, escalating to 30% left-right in choruses at 1.2 Hz, with 15% compression, 7% sidechain to bass and synths, 5% saturation, and 4% high-pass filter (300 Hz). Titanium screeches with doppler effect (quarter-note bursts, high-pitched, 4–8 kHz, evoking cosmic chaos) dynamically panning from 70% left to 70% right in verses at 1.2 Hz, escalating to 80% left-right in choruses at 1.8 Hz, with 25% wet reverb (1.5-second tail), 5% distortion, and 4% pitch modulation. Afterburner roar (sustained low rumble, 50–200 Hz, mimicking cosmic turbine) dynamically panning from 90% left to 90% right across verses and choruses at 0.7 Hz, escalating to 100% left-right in outro at 1 Hz, with 15% distortion, 8% low-pass filter (2.5 kHz), and 6% sub-bass boost. 8-bit chiptune radar beeps (8th-note pulses, evoking cosmic navigation) dynamically panning from 80% right to 60% right in verses at 1.2 Hz, escalating to 70% left-right in choruses at 1.8 Hz, with 10% bitcrusher, 5% pitch modulation, and 3% high-pass filter (4 kHz). Soviet synth textures (quarter-note sustains in C minor, with metallic buzz, evoking cosmic disco) dynamically panning from 30% left to 30% right in verses at 2.2 Hz, escalating to 40% left-right in outro at 2.8 Hz, with 12% chorus, 7% phaser, and 3% ring modulator. Radio static bursts (8th-note crackles, mimicking cosmic interference) dynamically panning from 60% left to 60% right in verses at 1.5 Hz, escalating to 70% left-right in choruses at 2 Hz, with 10% bitcrusher, 5% high-pass filter (4 kHz), and 3% white noise. Akvarium-like cosmic hums inspired by "Lost in the Sky" (half-note low drones, 50–100 Hz, evoking black hole pull) dynamically panning from 35% left to 35% right in verses at 1.2 Hz, escalating to 50% left-right in outro at 1.8 Hz, with 25% wet reverb (4.5-second tail), 7% flanger, and 4% low-pass filter (2 kHz). Mechanical robot clicks inspired by "Lost in the Sky" (8th-note ticks, metallic, evoking WALL-E/EVE hybrid) dynamically panning from 70% left to 60% right in verses at 1.5 Hz, escalating to 80% left-right in choruses at 2 Hz, with 10% bitcrusher, 4% high-pass filter (5 kHz), and 3% pitch detune. Cosmic distress wails (short vocal samples, non-lexical, mimicking ecstatic dancefloor chaos, quarter-note bursts, with Kalambur-like comedic panic) dynamically panning from 50% right to 40% left in verses at 1 Hz, escalating to 60% left-right in choruses at 1.5 Hz, with 15% distortion, 10% reverb (2.5-second tail), and 5% bitcrusher. Arrangement starts with sparse intro (main vocalise, synth arpeggios, chiptune beeps, radio static), builds through verses (techno bass, synths, light drums, afterburner roar, robot clicks), explodes in choruses (full instrumentation, lead synth, pads, radar beeps, cosmic hums, distress wails), with 0.8-second silence (cosmic void) before each chorus, and escalates in outro with quarter-note drums, soaring vocal ad-libs, robot clicks, and 30% volume swell on synths, pads, and cosmic hums. Bright EQ boost (2–4 kHz, +15 dB) enhances vocal and synth clarity, low-cut filter (100 Hz, -12 dB) on drums and screeches, high-shelf boost (8 kHz, +10 dB) on synths and radar beeps, mid-cut (500 Hz, -8 dB) on pads, and sub-bass boost (50 Hz, +10 dB) on afterburner roar, techno bass, and cosmic hums for depth. Dynamics shift with 40% volume increase in choruses, 30% in outro, and 20% gain on vocal ad-libs and distress wails in outro, delivering a melodic, club-driven Soviet supersonic techno-disco anthem with absurd, comedic undertones of a cosmic dancefloor panicking like a Kalambur calamity

промпт генерации для riffusion: "Quantum Orchestra, Granularity melodical synthesys, High energetic harmony, Psy-Metal-pank-hop-ambient, Randomly Trio Female harmony vocalise with clear Russian articulation and glitching floating stereo voice panning, Female vocalise with distorted radio effect, Turbine sounds, mimicking a test pilot's voice, split into main melody (yambic-anapestic, 10–12 syllables per verse, yambic-dactylic, 8–10 per chorus) statically panned at 0% stereo panorama, dynamically oscillating between 20% left and 20% right in choruses at 0.6 Hz, and ad-libs (soaring, fragmented phrases) statically panned 10% left, dynamically shifting to 30% right in outro at 1 Hz, with 25% wet reverb (3.5-second tail), 30% feedback delay (200 ms), 10% compression, 6% pitch vibrato, and 3% bitcrusher for radio crackle, evoking love, heartbreak, hope, and Soviet supersonic legend. Darksynth arpeggios split into high-pitched leads (16th-note pattern in verses, 8th-note dactylic triplets in choruses) in C minor, statically panned 25% left, dynamically shifting to 25% right in choruses at 1.2 Hz, and low drones (quarter-note sustains) statically panned 30% right, dynamically to 40% left in outro at 1.5 Hz, with 15% wet reverb (2.5-second tail), 8% chorus, 5% flanger, and 2% pitch detune. Darksynth atmospheric pads (quarter-note sustains, C minor) statically panned 35% left, dynamically to 50% left in outro at 1.8 Hz, with 12% wet reverb (3-second tail), 7% chorus, and 4% phaser. Speed metal guitars split into rhythm stabs (quarter-note pulse in verses, half-note accents in choruses, C-G-Am-F progression, I-V-vi-IV) statically panned at 0%, dynamically widening to 25% left-right in choruses at 0.4 Hz, and lead slides (8th-note bursts) statically panned 20% right, dynamically to 40% right in outro at 0.8 Hz, with 30% distortion, 12% overdrive, 6% tremolo, and 3% wah-wah, sounding like strings tearing at Mach 3. Techno-metal drums feature a 4/4 kick at 240 BPM with accents on beats 1 and 3, statically panned at 0%, syncopated snare rolls (8th-note triplets in verses, quarter-note hits in choruses) dynamically panning from 20% left to 20% right in verses at 2.5 Hz, hi-hats (16th-note offbeats) statically panned 40% right, dynamically to 30% left in choruses at 1 Hz, and crash cymbals (half-note hits) statically panned 10% left-right, with 10% compression, 5% sidechain to synths, 4% saturation, and 2% high-pass filter (200 Hz), mimicking a nuclear reactor metronome. Titanium screeches with doppler effect (quarter-note bursts, high-pitched) statically panned 30% right, dynamically sweeping from 60% left to 60% right in verses at 1.2 Hz, with 20% wet reverb (1-second tail) and 5% distortion. Afterburner roar (sustained low rumble, 50–200 Hz) dynamically pans from 85% left to 85% right across verses and choruses at 0.6 Hz, with 12% distortion, 6% low-pass filter (2 kHz), and 3% sub-bass boost. 8-bit radar lock alerts (16th-note beeps, chiptune style) statically panned 70% right, dynamically shifting to 55% right in choruses at 1.2 Hz, with 7% bitcrusher and 3% pitch modulation. Soviet synth textures (quarter-note sustains in C minor, with metallic buzz) statically panned 15% left-right, dynamically oscillating between 30% left and 30% right in outro at 2.2 Hz, with 8% chorus, 5% phaser, and 2% ring modulator. Radio static bursts (16th-note crackles) statically panned 50% left, dynamically sweeping to 50% right in verses at 1.5 Hz, with 10% bitcrusher and 5% high-pass filter (3 kHz). Akvarium-like cosmic hums inspired by "Lost in the Sky" (quarter-note low drones, 50–100 Hz) statically panned 20% left-right, dynamically widening to 40% left-right in outro at 1 Hz, with 15% wet reverb (4-second tail) and 5% flanger. Mechanical robot clicks inspired by "Lost in the Sky" (16th-note ticks, metallic) statically panned 60% left, dynamically to 50% right in choruses at 1.5 Hz, with 8% bitcrusher and 3% high-pass filter (4 kHz). Arrangement starts with sparse intro (vocals, synth arpeggios, titanium screeches, radio static), builds through verses (synths, rhythm guitars, light drums, afterburner roar), explodes in choruses (full instrumentation, lead guitars, radar beeps, cosmic hums), with 0.6-second silence (ECM jamming) before each chorus, and escalates in outro with 8th-note triplet drums, soaring vocal ad-libs, robot clicks, and 20% volume swell on synths and pads. Bright EQ boost (2–4 kHz, +14 dБ) enhances vocal and guitar clarity, low-cut filter (100 Hz, -10 dБ) on drums and screeches, high-shelf boost (8 kHz, +8 dБ) on synths and radar beeps, and mid-cut (500 Hz, -6 dБ) on pads for clarity. Dynamics shift with 30% volume increase in choruses, 20% in outro, and 10% gain on vocal ad-libs in outro, delivering a heart-pounding, tragically uplifting Soviet supersonic legend with absurd, comedic undertones of a dispatcher panicking like a cosmic calamity."

В казарме ночь, фонарь качается над нами,

Сержант орёт, а сердце рвётся к милой маме.

Сапоги скрипят, любовь в груди тоскует,

Но в строю стоим — надежда нас балует!

Бахнем по судьбе, гитары рвут струну!

Клезмер в сердце жжёт, танцуем на войну!

Труба зовёт вперёд, любовь не отпускает,

Всё равно бахнем, пока душа летает!

Котёл дымит, в тарелке каша как бетон,

А в письмах от неё — лишь слёзы да закон.

Разбитое сердце в шинели не унять,

Но клезмер-рок гремит — пора судьбу догнать!

Бахнем по любви, аккордеон в огне!

Сквозь армейский треш мы мчимся по волне!

Скрипка плачет зло, но сердце не сдаётся,

Всё равно бахнем, пока нам всё неймётся!

Присяга позади, в кармане медяки,

Любовь ушла, но мы — всё те же чуваки.

Под звёздами поём, гитара рвёт простор,

Надежда в нас живёт — клезмер наш вечный взор!

Бахнем по тоске, перкуссия гремит!

Клезмер-рок в крови, душа в ночи летит!

Разбитое сердце в строю не угасает,

Бахнем до конца, пока нас не сломает!

Эй, труба, играй, гитары не жалей!

Клезмер-рок в ночи, танцуй, душа, смелей!

Любовь нас разорвёт, надежда нас спасёт,

Бахнем по судьбе — и снова в бой вперёд!

стихи мои

Раз, два, три, поехали!

Эх, раз! Ещё раз!

Громче бей, барабан!

Без моря жила я сто лет,

Обойдусь и в этот момент!

О-о-о, я обойдусь!

Пусть без волн — дождь спасёт!

Дворовый оркестр мне марш

Сыграет, как шторм поёт!

Эх, два! Не беда!

Чайки в небе — всегда!

Без курорта я в деле,

Как в горах на душевной скамье!

О-о-о, я обойдусь!

Песок? Асфальт подойдёт!

Под окнами скрипка и тромбон

Заведут мне морской хоровод!

Эх, три! Не трынди!

Гармонь да огни в груди!

Без виз я гуляла везде,

Как на воле в родной борозде!

О-о-о, я обойдусь!

Яхт нет? "Волга" везёт!

Калитки ржавый мотив

Шум моря в душе заменёт!

Раз, два, три — обойдусь!

промпт генерации:

Female vocalise, Atmospheric electronic music with Balkan brass, Odessa jazz, gypsy-punk, lezginka-rock, cabaret-chanson, gop-blues, chastushki-techno, klezmer-folk, Macedonian beat, hooligan reggae, meditative psychill undertones, analog synthesizers (warm, layered, 100-500 Hz, 60 dB, attack 20 ms, decay 1 s, 4-chord cycle: C maj C4-E4-G4, A min A3-C4-E4, F maj F3-A3-C4, G maj G3-B3-D4, 1 s per chord, 4 s cycle, 120 BPM, panning left-to-right every 9.3384 s), soprano vocalise (ethereal "ahh-oo" C4-E4, 1 s, 4 s intervals, 60 dB, attack 50 ms, decay 0.5 s, evolves to "mm-nah" C4-D4, 0.5 s, 8 per bar, 55 dB, second voice G3-A3, 0.25 s delay at 60 s, panning centered with left-right shifts every 2 s), Balkan brass (trumpet 500-2 kHz, trombone 200-800 Hz, 65 dB, attack 15 ms, decay 0.5 s, 4/4 rhythm with quarter-note pulses, accents every ~1.1673 s, enters 30 s, panning right-to-left every 4 s), glitch-sax (1-5 kHz, 60 dB, attack 10 ms, decay 0.3 s, sixteenth-note stabs 0.125 s, enters 45 s, random ±2 semitone shifts, panning left-to-right every 0.428 s), acoustic guitar (gypsy-punk strums, 200-1 kHz, 55 dB, attack 15 ms, decay 0.4 s, 7/8 patterns, enters 20 s, centered panning), field recordings (urban sounds: footsteps, car horns, 200-800 Hz, 50 dB, arrhythmic, enters 40 s, centered panning), drums (cabaret-style: bass drum 50-60 Hz, 60 dB, attack 10 ms, decay 200 ms, 4/4 quarter-note pulses 0.5 s, hi-hats 8-10 kHz, 50 dB, eighth-notes 0.25 s, accents every ~1.1673 s, shaker 12-14 kHz, 45 dB, sixteenth-notes 0.125 s, enters 60 s, panning: bass drum centered, hi-hats left-to-right every 2 s, shaker right-to-left every 0.428 s), reverb (20% wet, 2 s tail, 50 ms pre-delay, 200-10 kHz, applied from 0 s), delay (200 ms, feedback 20% to 60% over 60 s, starts 30 s), bitcrusher (16-bit to 8-bit over 90 s, starts 90 s), low-pass filter (100-500 Hz, 20% resonance, starts 60 s)

Melancholy, Over MIND, Kawaii Female Vocalise, manga, anime, vocal polyphony, female robotic voice, techno, electronic, experimental, sleepglitch, atmospheric, otherworldly, orchestral, trap beats, samurai sword sounds, odessa klezmer-rock. Lyrics: "quantum_echo, cosmic_dance, void_entanglement, stellar_flux, cosmic_reflection, temporal_inversion" (English, robotic articulation, 60-70 dB). Violin: 440 Hz A4, 65 dB, attack 8 ms, decay 1.4 s, vibrato 6 Hz, 0.5 semitone. Plays 4-note cycles (C4-E4-G4-A4, 0.8 s/note, 3.2 s/cycle, 120 BPM), trills every 4.6692 s, pitch drift ±0.23346 semitones. Klezmer-style slides (0.1-0.3 semitone, 100 ms). Accordion: C3-G3, 100-200 Hz, 60 dB, attack 20 ms, decay 1.8 s. Chords (C maj: C3-E3-G3; A min: A2-C3-E3, 1 s/chord), bellows tremolo (5 Hz, 0.2 semitone). Enters at 2 s, 50% intensity for folk warmth. Clarinet: G3-D5, 150-800 Hz, 58 dB, attack 15 ms, decay 1.2 s. Melodic runs (C4-D4-E4-G4, 0.25 s/note), trills every 4.6692 s, 0.3 semitone. Anime-style expressiveness, 10% pitch bend at 9.3384 s. Electric Guitar: A5-D5, 35% overdrive, 70 dB, attack 10 ms, decay 0.8 s. Power chords (C5-G5, 0.5 s/chord), slides (0.5 semitone, 50 ms). Enters at 9.3384 s, techno-rock energy, 2% detune every 4.6692 s. Synthesizer: Sawtooth wave, 100-400 Hz, 68 dB, attack 5 ms, decay 1 s. Arpeggios (C3-G3-A3, 0.125 s/note), LFO modulation (4 Hz, 0.4 semitone). Techno/sleepglitch texture, filter sweep (200-2000 Hz over 9.3384 s). Drums: 4/4 rhythm, 120 BPM. Bass drum (50-60 Hz, 60 dB, attack 10 ms, decay 200 ms), eighth-note hi-hat (8-10 kHz, 50 dB, 0.25 s, accents ~1.1673 s), sixteenth-note snare (200-400 Hz, 55 dB, 0.125 s). Trap beat kicks (40 Hz, 65 dB, 0.2 s) every 4.6692 s. Darbuka: 200-400 Hz, 48 dB, attack 5 ms, decay 150 ms. Sixteenth-note rolls (0.125 s, accents ~0.58365 s), polyrhythm (3 vs 4, 0.1667 s). Balkan/klezmer drive, intensity ramps 30-70% over 9.3384 s. Cimbalom: C3-C5, 200-1000 Hz, 50 dB, attack 10 ms, decay 1 s. Arpeggios (C3-E3-G3-A3, 0.25 s/note), tremolo (6 Hz). Folk/orchestral texture, enters at 4.6692 s, 4% pitch drift. Samurai Sword Sounds: Metallic scrapes (2-5 kHz, 45 dB, attack 2 ms, decay 100 ms), triggered every 4.6692 s, 0.05 s duration. Glitchy stabs, 20% reverse effect. Evokes cosmic blade cuts. Vocal: Female, kawaii/anime, robotic timbre, 60-70 dB, attack 10 ms, decay 1 s. Polyphony (3 voices: C4-E4, C4-D4, Bb3-Bb4). Lyrics: "quantum_echo" (C4-E4, 1 s, 4 s intervals), "cosmic_dance" (C4-D4, 0.5 s, 8 per tact), "void_entanglement" (Bb3-Bb4, 0.2 s, 16 per tact). Pitch-shift (±4.6692 semitones, 10% wet), Vocoder (100-400 Hz carrier, 30% wet), reverse (20% wet, 0.428 s). Sleepglitch stutters (0.02-0.05 s, 1-6 kHz). Rhythm: 4/4 base, polyrhythms (3 vs 4: darbuka, 0.1667 s; 5 vs 4: hi-hat, 0.1 s). Bifurcations every 4.6692 s (quarter → eighth → sixteenth, accents ~0.58365 s). Variable rhythm shifts (120-128 BPM over 9.3384 s). Effects: Reverb (15% wet, 3 s tail, 60 ms pre-delay), delay (300 ms, feedback 20-70% over 9.3384 s), bitcrusher (16-bit to 4-bit over 0.428 s), glitch (0.02-0.05 s, 1-6 kHz, evoking quantum fractures). Filter sweep (100-5000 Hz, 9.3384 s). Sidechain compression (10% wet, triggered by trap kicks). Dynamics: 60-85 dB. Intro: minimal violin+accordion (60 dB). Verses: add clarinet+synthesizer (65-75 dB). Choruses: full ensemble+trap beats (80 dB). Outro: fade to cimbalom+vocal (60-70 dB). Harmonic shifts: C maj to A min, clusters (C4-Db4-Eb4, 0.3-0.7 semitone intervals). Klezmer-rock chaos to anime/orchestral triumph.