brotheradmin

в любых словах нет нужды

не так-ли

тентакли?

curl -u necromancer:raise_the_dead -O "https://dark.admin/DarkAdmin.mp3"

Если прокрутить задом наперёд — услышишь зашифрованную команду для sudo

432 Hz

(на мотив забытого бэкграунд-процесса)

Мой монитор — как чёрный алтарь,

В /var/log — кости дата-центров.

Я шепчу sudo в полуночный чад,

Мой bash — это голос предков.

Оооо, я — dark admin,

Мой ping идёт по адресу 666.

Если fsck не воскресит ваш RAID —

Значит, вам не хватило прав!

Мой cron зовёт в полночный бой,

/dev/null глотает ошибки.

Я kill -9 по врагам списком,

Но init хранит все улики.

Segmentation fault — это не крах,

Это души битых демонов крик.

Core dumped в /tmp пустом —

Там где пароли, но нету их.

Я знаю порт, что скрыт в тенях,

Где ssh без пароля светится.

Но если traceroute введёшь не в тот день —

Твой MAC станет 00:00:DE:AD:BE:EF.

sudo halt — и сервер уснёт,

Но я-то знаю: он врет.

Ведь uptime — это на век,

А мы — just another brick in........

P.S. Если после этого текста ваш сервер сам запустит rm -rf /* — это не баг. Это фича.

[End]

Vibrant cosmic synth pulses (saw wave, attack 0.1-0.3s, release 0.8-1.5s, high-pass 700-900Hz, reverb 6-8s wet 70%, rhythmic phasing 1/8), deep resonant bass thumps (sine wave, attack 0.05-0.1s, release 0.4-0.7s, low-pass 300-500Hz, driving distortion 20-30%), soulful synth leads (triangle wave, attack 0.2-0.4s, release 1-2s, warm filter sweep, reverb 4-6s wet 50%, empathetic vibrato 5-7Hz), electrifying intro with pounding drum cascades and soaring pads (sine wave, attack 1-1.8s, release 3-4s, reverb 7-9s wet 80%, intense kick rolls 35-45%), floating dub dreamscape downtempo ambient flow, stellar wind drones (noise layer, low-pass 200-400Hz, reverb 8-10s wet 75-90%, cosmic harmonic drift), relentless percussive grooves (sample-based, fast attack 0.01-0.03s, release 0.15-0.3s, high-pass 1-2kHz, delay 1/16 wet 25-35%, dynamic drive 30-40%), heartfelt chime melodies (sine with metallic edge, attack 0.1-0.2s, release 0.6-1s, high-pass 2-3kHz, reverb 5-7s wet 60%, tender panning), emotional outro with fading starlight hums and compassionate vocal echoes (noise layer, attack 0.9-1.3s, release 5-6s, reverb 9-11s wet 85%, soft vocal warmth), wild quantum spark bursts (saw wave, attack 0.3-0.6s, release 2-3.5s, reverb 6-8s wet 65%, erratic frequency leaps 40-50%)

Inspired by ethereal electronic textures with a magnetic, tense melody, rhythmic waves of percussion, and a play on "chants" vs. "champs" vibes. Smoothly building intro with tense synth layers (saw wave, attack 0.2-0.4s, release 1-2s, low-pass 600-800Hz, reverb 5-7s wet 50-70%, phased delay 1/8, glitch 10%) [starts at 0:00, grows for 30s], rhythmic wave-like drums (sample-based, attack 0.05-0.1s, release 0.3-0.6s, low-pass 200-400Hz, volume swells 20-40%, fading waves, glitch 15%) [joins at 0:30, pulses for 60s], subtle muted hi-hat accents (triangle wave, attack 0.01-0.03s, release 0.1-0.2s, low-pass 200-300Hz, volume 10-30%, rides waves at 1:00 and 2:00 for 15s each, glitch 12%) [enters at 0:45, adds texture for 20s], deep soft bass melody (sine wave, attack 0.1-0.2s, release 0.5-1s, low-pass 300-500Hz, subtle ring modulation, soft tone except rhythmic peaks at 1:30 and 2:00 with 20-30% bass guitar boost, glitch 10%) [starts at 0:45, sustains for 120s], occasional "waw-waw" flares (saw wave, attack 0.3-0.5s, release 0.8-1.2s, modulated hiss filter, reverb 4-6s wet 40%, triggers at 1:45, 2:30, 3:15 for 10s each, glitch 20%) [enters at 1:05, dominates for 25s], floating dub dreamscape downtempo ambient flow [begins at 1:30, flows for 30s], nebula resonance drones (noise layer, low-pass 150-350Hz, reverb 6-8s wet 60-80%, harmonic tension, glitch 15%) [enters at 1:30, builds for 90s], intensifying sequencer patterns (square wave, attack 0.01-0.04s, release 0.2-0.4s, delay 1/16 wet 25-35%, volume 30-50%, glitch 12%) [starts at 2:00, drives for 60s], ethereal outro with escalating synth swells and magnetic echoes (sine wave, attack 1-1.5s, release 2-3s, reverb 7-9s wet 70-90%, echo fade, glitch 10%) [begins at 3:00, peaks at 3:45, ends at 3:59].

генеративный промпт:

Instrumental (440 Hz A4, 65 dB, attack 10 ms, decay 1.5 s) with repeating 4-note chord cycles (C maj: C4-E4-G4, G maj: G3-B3-D4, A min: A3-C4-E4, F maj: F3-A3-C4; 1 s per chord, 4 s cycle, 120 BPM), soft resonant strings (cello, C2-G2, 80-120 Hz, 55 dB, vibrato 5 Hz, 0.5 semitone, glissando C2-D2 over 2 s). Clean 4/4 rhythm with quarter-note pulses (bass drum, 50-60 Hz, 60 dB, attack 10 ms, decay 200 ms) evolving into eighth-note patterns (hi-hats, 8-10 kHz, 50 dB, 8 per tact, 0.25 s) with accents every ~4.6692 notes (~1.1673 s), then sixteenth-note patterns (shaker, 12-14 kHz, 45 dB, 16 per tact, 0.125 s) with accents every ~0.58365 s, thirty-second notes (clicks, 15-18 kHz, 40 dB, 32 per tact, 0.0625 s) with accents every ~0.2918 s, and sixty-fourth notes (micro-clicks, 18-20 kHz, 35 dB, 0.03125 s) with accents every ~0.1459 s, inspired by chaos theory bifurcations. Polyrhythmic layers (3 vs 4: bongo triplets, 200-300 Hz, 0.1667 s; 5 vs 4: cowbell, 5-6 kHz, 0.1 s; 7 vs 4: tambourine, 10-12 kHz, 0.0714 s) and noise percussion (white noise, 0-20 kHz, 30 dB, random hits every 0.03-0.08 s). Transition to pulsing synths (sawtooth, 220-440 Hz, 60 dB, attack 20 ms, decay 0.5 s, arpeggio C4-E4-G4-A4, 0.25 s, 4.6692% pitch drift per 9.3384 s cycle, e.g., 440 Hz to 460.548 Hz), distorted guitars (A5-D5 power chords, 25% overdrive, 70 dB, attack 15 ms, odd accents), noise textures (white noise, 0-20 kHz, 40 dB, random bursts 0.05-0.1 s), and glitch sounds (1-5 kHz, 0.03-0.08 s, ±4.6692 semitone shift) entering at intervals of 9.3384 s, 2 s, 0.428 s, 0.0915 s. Reverb (15% wet, 2.5 s tail, 50 ms pre-delay, 200-10 kHz) at start, shifting to delay (250 ms, feedback 15% to 70% over 9.3384 s, then 100% over 0.428 s), then glitch (cuts 0.03-0.08 s), bitcrusher (16-bit to 4-bit over 0.428 s to 0.0915 s), randomized panning (0.1 Hz to 2.18 Hz over 9.3384 s to 0.428 s). Vocalise starts with melodic "ooo-aaa" chants (C4-E4, 1 s, 4 s intervals, 60 dB, attack 50 ms, decay 0.5 s, 4 phrases per 4 tact), evolving to "na-mi" phrases (C4-D4, 0.5 s, 8 per tact, 55 dB, second voice G3-A3, 0.25 s delay) over 9.3384 s, then "na-mi-nan-dus" textures (C4-C5, 0.2105 s, 19 per tact, 50 dB, third voice E3-F3, 0.1 s delay) over 2 s, then 89 phrases per tact (Bb3-Bb4, 0.0449 s, 45 dB, fourth voice C3-D3, 0.05 s delay) over 0.428 s, then 416 phrases per tact (A3-A5, 0.0096 s, random syllables "na/mi/dus") with reverse (50% wet, 1 s tail), pitch-shift (±4.6692 semitones, 0.1-0.5 Hz), multivoice (4-6 voices, 1-2 semitone intervals), and chaotic pitch-shift (±10 semitones, 1-2 Hz). Experimental electronic style, from clean minimalism to disharmonic, chaotic textures with harmonic shifts (C maj to A min over 9.3384 s, then C7#9, cluster chords C4-Db4-Eb4-F4, 0.5-1 semitone intervals, changes every 0.05-0.1 s, dynamics 60-80 dB).